As previously mentioned, I have been very excited for the release of the sequel to the action film masterpiece The Raid Redemption. This weekend, I saw The Raid 2: Berandal and went to great lengths to make sure I would be able to. The movie came out as limited release this weekend and would be released in more theaters the following week. However, my friends and I were so anxious to see this movie that we drove an hour to go to a theater that had it and we bought our tickets online to guarantee our seats (which turned out to be a brilliant idea because it was actually sold out). The excitement in the theater was palpable as everybody sat in their seats waiting for the lights to dim and for the previews to end, signaling awesomeness was going to be witnessed. I walked into that theater with ridiculously high expectations due to all the hype that surrounded this sequel, including that it was the next Terminator 2 of sequels, and if anything this movie was under-hyped. It was that good.
This movie picks up directly from where the last one left off, but this time Rama (the protagonist) gets involved in an undercover cop scheme to exploit the crimes of the mob bosses running Jakarta, Indonesia. This scheme involves him going to jail and becoming friends with one of the bosses’ sons and ultimately joining the mob while maintaining his undercover identity. However, things go sour due to miscommunication and suspicious activity from the cop who hired him for this job and from activities going on between the different mobs. The Raid 2: Berandal had much more story and plot in comparison to the movie that preceded it and it was a wonderful change. The first movie was very simple: cops fight their way up the tower and fight the mob boss. This one has much more complicated story compared to the first movie but at the same time it wasn’t too overwhelming.
This movie being an action/martial arts film, it is known that walking in there is going to be some level of violence. However, this movie does have a lot of violence and some gore, so just as a warning for those who don’t like those types of movies. First off, I would like to say that the cinematography of this film is much better than that of the first movie and is absolutely breath taking. The more cinematic, landscape-type shots were very placid and calm in contrast to the more fast paced parts of the film. The camera work for the fight scenes is mind blowing in how I still don’t understand how they were able to film everything so perfectly. One scene had a car chase and a fight happening in one of the cars, and the way the camera weaves through the different parts of the car was so smoothly done. In addition, their ability to capture the different angles of the hand to hand combat was beautiful. The fight choreography was done in such a manner that the moves went together and flowed almost like a ballet, but more violent.
I truly believe that this movie is revolutionary when it comes into terms of action films and the approach to how it is filmed. It is a testament to how such a quality film can be made without a large budget or fancy, expensive special effects. However, one thing that is disheartening is that American filmmakers want to make The Raid franchise but with American actors. I believe that a film like this shouldn’t be remade to fit a more mainstream audience, it should just be remembered by how it is and how it was originally intended to be seen. This movie will inspire aspiring directors and filmmakers and one day they will remix The Raid franchise into something new and different for the future generations. I highly recommend this film to any action movie fan and especially if you are into martial arts/hand to hand combat. You can count me in to watching this movie again in theaters when it is released to all theaters.
I am currently reading the classic, 1984, by George Orwell and it got me thinking about other dystopian works. I recently recalled watching Total Recall (the original with Arnold), no pun intended, and couldn’t help but thinking just how recently a lot of dystopian works have been released, both literary and cinematic. In addition, it got me thinking about my favorite dystopian films and it is important to set the parameter as to what is considered a dystopian film. I consider a dystopian work as one that shows a society set in the future marked by a controlling, oppressive power that results in poverty, pollution, violence, or corruption.
Demolition Man , starring Sylvester Stallone and Wesley Snipes, was made in 1993 and centers around the Los Angeles area in the year 2032. Apparently after a massive earthquake in 2010, the city of Los Angeles and San Diego merged together to form San Angeles. San Angeles is a place where it seems as though all crime has been eliminated due to very strict laws outlawing basically anything that could be considered immoral or dangerous. The plot centers around a police officer, John Spartan (Stallone), and criminal, Phoenix (Snipes), who fight during the 1990’s. After an incident that kills several civilians, they both get cryogenically frozen and are later thawed in 2032 after their sentence ends. These two then must cope with the “utopian” future where any sort of vice is outlawed and everybody lives lives that seem to be eerily happy and content. However, it is later revealed that they are restricted of many things and this new future has created an underground society that lives much like life before all of the advancements. Spartan helps the San Angeles Police Department to catch Phoenix as the police department alone do not know how to deal with a criminal from the past, a seemingly alien world in comparison to their present. This movie beautifully shows the effects of what seems to be a utopia can actually be quite the opposite. The restrictions and laws passed in order to try and make the world a safer place end up putting the civilians in a place of ignorance, where they only know one way of life. I recommend this movie for fans of action movies.
Minority Report, starring Tom Cruise, is set in the Washington DC area in the year 2052 and is directed by Steven Spielberg. The society is full of technological advancements and in fact the police department is able to detect crimes before they even happen, known as PreCrime. Tom Cruise’s character, John Anderton, is the Captain of this unit and he then becomes the victim of this very system one day. The Department of Justice tries to outlaw this PreCrime unit from going nationwide and then it is predicted that John will murder someone in 3 days. John tries to hide the case and flees because he believes that it is a set up from the Department of Justice. The PreCrime system is fueled by three psychics and it is explained that they all see different versions of the future but the one that is published for PreCrime is the version that is agreed on by two of the three. The “Minority Report” is the version of the future only seen by one of the psychics and these are usually ignored and thrown away. John kidnaps Agatha, one psychic that is more prone to seeing the Minority Report, and tries to hid from the massive manhunt trying to arrest him for a murder he hasn’t even committed yet. The rest of the movie follows this plot line and explores the idea of free will and determinism. This movie shows the flaws of a society that is too controlling and tries to streamline everything through technological advancements while exploring existential concepts. The idea of a future of being accused of something that is in the future is scary because then it implies that there is no free will in the world. This is an excellent movie and is highly recommended for sci-fi thriller movie fans.
Total Recall, starring Arnold Schwarzenegger tells the story of a Douglas Quaid, a construction worker from Earth, in the year 2084. The movie starts off with him waking from a dream he has where he is exploring Mars with a mysterious women that keeps appearing in all of his dreams. He tells his wife that he wants to go and visit Mars, because at this point in the future Mars has been colonized. Due to riots from rebels and inhabitants, his wife says that going to Mars on a vacation would be too dangerous. Discouraged, Quaid goes to work and on his way learns of a company that can implant memories into your mind and it would feel as though you actually did whatever they implanted. He decides to sign up for a trip to Mars as a secret agent but before the procedure can be done he starts to violently react and storms out of the laboratory. He goes home and is then attacked and almost killed by his “wife” who turns out to be working for the governor Cohaagen. He is then suddenly confused as to why everybody is trying to arrest and kill him. However, he finds a video of himself directed toward himself where he is called Hauser. Hauser tells Quaid to go to Mars and find the rebel leader Kuato. The rest of the movie continuess Quaid’s journey to Mars to find Kuato while he struggles realizing whether he is in a dream or not. The dystopia in this film could be both Earth and the colonized parts of Mars. On Earth, the politicians are corrupt and seem to control every aspect of the peoples’ lives through surveillance and connections. On Mars, the groups that are wealthy or that have political connections live fabulously and don’t have to worry about the things that the lower classes do. The lower classes live in areas that aren’t completely blocked from the radiation due to malfunctional shields and they resort to more illegal economic activities for income. Out of this anger and frustration for their living situation, some people formed rebel groups to take down the higher class that s solely concerned with mining operations.
Dystopia’s remind us about the corruption that could arise from the depths of humanity and the consequences of such actions. They can also be used to compare our current society with that portrayed in the works and just how eerily close we can get to the dystopia through only a few small steps. When I watched I, Robot for the first time, this image that Sonny the Robot drew is what stood out to me the most. Now, whenever I hear dystopia this is the image that pops up immediately in my mind. I think it is because it consists of a large quantity of humanoid figures looking to a singular figure in the distance below a bridge out of hope. They hope for a better future and are desperate, but nobody knows where that figure or bridge will take them. Unfortunately, this desperation and longing for hope is what drives people to societies that often oppress them or take advantage of them.
I have recently watched the film Only God Forgives thanks to the wonders of being able to stream Netflix. If you are a fan of this blog you would know that the fact that this film features Ryan Gosling is pretty important. This film was released last year and takes place in Bangkok, Thailand. It is directed by the same director as Drive which is actually one of my favorite movies. I stumbled upon this movie while browsing through Netflix and decided to watch it since it looked interesting, having a more indie movie kind of vibe to it. Plus, the title interested me and the synopsis mentioned how it dealt with a brother trying to get revenge for his brother’s death….which actually turned out to be much more complicated and profound than that.
Just a warning, this movie does tend to be on the slower side and doesn’t have much action. Only God Forgives is supposed to be a more contemplative and reflective cinematic work. From the opening scene, it is apparent that the cinematography is something that is other worldly. I had never seen camera work and lighting like it before! The shots were perfectly thought out and weren’t so much as just a way to tell a story, but they conveyed emotion and enhanced it. Right off the bat, you could tell that it is going to be a serious movie as the camera pans down the lighted corridors of Muy Thai club run by the main character Julian, played by Gosling. The premise of the story is that Julian’s brother, Billy, gets killed after a cop, Chang, allows the father of a prostitute that Billy killed to ultimately beat Billy to death. The rest of the movie is Julian and his mother’s struggle to exact revenge and determining the morality of it. Despite how Julian doesn’t want to exact revenge because he feels it would be inhuman, his mother goes behind his back to try and gain vengeance on the father of the victim and Chang. This very plot scheme is what is so central to both the movie and its title, Only God Forgives.
Only God Forgives has a plot that goes to another level as far as symbolism when one takes into consideration the religious meaning behind the figures and events of the movie. Just as a warning, I will reveal some plot details and there may possibly be some spoilers. First, it is clear that Chang in this movie represents God as he is the character in this movie that exacts justice and grants mercy to those who deserve it. People who interact with Chang see him not as if he is a normal person, one scene of the movie where Chang hunts down a “sinner” it seems as if he teleports and is omniscient. In addition, to those he does grant mercy to he leaves them a way to always remember their sins, by cutting off one of their arms. For example, Chang allows the victim’s father to kill Billy but Chang then questions why he forced his own daughter into prostitution. He then cuts off the father’s arm as a permanent reminder of his sins as long as he is alive. Chang’s crew of police officers that admire and follow him are his angels helping him bring justice to the lawless and the sinners. The way Bangkok is portrayed by its dark and neon lighting is almost hellish (mostly red, orange, and yellow tones) with smoggy fumes, while when Chang is in his home the lighting is brighter and heavenly, suggesting its his Heaven.
Whenever Chang brings justice through his sword, it is as if it appears from no where because it isn’t seen in any shots before at all. In another scene, where Julian challenges Chang to a fight, Julian doesn’t land a single punch on Chang and Chang proceeds to horribly defeat him. This suggests that when one fights God that there is no winning.
In this movie, Julian plays the role of the common man and this will be explained further on. I believe that Julian’s mother plays the role of the Devil in this clash of good against evil. She is obsessed with trying to get revenge for the death of her son, but as soon as she appears in the movie it is clear that she isn’t a normal mother. Her attitude and manner of carrying herself comes across as cruel and sinister. She tells Julian to find the father that killed Billy and kill him. When Julian does find the man, he realizes that he shouldn’t do this and realizes that he will live with the consequences seeing that his arm got cut off from Chang. He sets the man go and grants him mercy. His mother is furious that he did that and continues to egg him on to find and kill the man. She results to tempting him to do so and by insulting his manhood. It is clear that she is a dominant and demanding mother and that it affected Julian growing up.
Throughout the movie, it seems Julian has trouble interacting and talking with women and perhaps it was a result of his horrible childhood with his mother. One also learns that his mother demanded him and forced him to kill his father which will play an important part at the end of the movie. In the end, Chang ends up killing Julian’s mother’s henchmen and herself in order to end the attempts at revenge by her. Throughout the movie, Julian has a recurring vision of his arms being chopped off by Chang and the movie ends with the two of them in a field and Chang chops off Julian’s hands. This symbolizes how despite Julian being a sinner, much like humanity in general, Julian is able to feel the guilt and repent for his sins, not letting them become a part of himself. With this final vision or scene of Chang and Julian, the cutting of Julian’s hands could be a symbol for a new beginning and letting go of his horrible past. I would definitely recommend this film and despite its slow pace is an excellent film. I found it especially interesting since at the time I was reading Heart of Darkness and how it has allusions to the story of Faust and Mephistopheles.